The work in this series is made from vellum, watercolor paper, rice paper, tissue paper, wax, pigment, acrylic, and wood frames.

Central to my work is how materiality, representation, and experience might shift ideological paradigms that systematically perpetuate stereotypes, normalize divisive practices, and diminish the body's holistic possibilities.

Framed: Her Body has come from exploring theoretical and pragmatic structures that are internalized into beliefs, cultural norms, and subjective perspectives.  Drawing inspiration from personal experiences, historical contexts, and contemporary discourses, my installation serves as a platform for dialogue and introspection. They invite viewers to confront their preconceptions and engage with the profound social and cultural implications of gendered embodiment.

Pirate Gallery, Denver 2024

Ecstasy of St. Theresa, 2022, Vellum, Drawing Paper, Silk. thread, 60” x 48” x 8” Installation view. This is part of a series of artworks (Paperface- Interface) started in 2017.

Detail, velum, silk, thread

Film installation,

Paperfac-Interface Mixed media, paper, ink, pastel, tape. This film is part of a body of work; it is installed alongside paper-works created during the UAL MEAD residency. British School at Rome, Italy, 2017.

Filette, 2022 cardboard, plaster, pigment and latex, 10” x 12” x 6”.

This artwork is made from recycled metaphorical box body and is exhibited with the film Paperface-interface.

Using paper and recycled latex, (from the Boxing Series), exploring surface, light, and menopause.

Using Paper, exploring surface, light and menopause.

Recycled brown bag and charcoal, exploring surface, light, and menopause.

A series of small drawings exploring surface and interior darkness.

Homework, 2020 14:35 Making Intervention, Milton Keynes, England.

This artwork was a public making; combining the integration of where, how and what processes were used to create the artwork. Homework uses the inspiration from Sara Ahmed, Living a feminist Life. This artwork contemplates the boundaries of the whole person, stealing, using, and documenting from the everyday and ordinary domestic environment and then embracing, exploring, and destroying to create something ‘other’. The film and the wrestled box body were displayed in the group exhibition, MK Calling 2020.

Performance (remaking)

Picturing the Invisible, Group Exhibition, Chelsea College of Arts, London, 2019.

Mixed Media, Pussy Riot identity, cardboard, latex, fake fur, balloon and bike pump.

This artwork is part of the Boxing series, where I instrumentalize my body by wrestling cardboard boxes laminated with a latex skin. The Boxing Series brings the making process to the forefront of the artworks, into the public domain. For this exhibition, I interacted with previously made artworks and talked to guests about the invisible.

Mouth-to-Junk Resuscitation 2:18

This work is inspired by the female sexed body and trauma referring to, female sexuality, masturbation, and agency. Agency over one’s body, and one’s trauma. This was originally created in 2014 and reperformed 2019 at Chelsea College of Art, The University of the Arts London for International Women’s day.

Animalia Interruptous, Intervention Making, by Stephanie Spindler. TaPRA Postgraduate Symposium 2018

Materials and Materiality: How do they matter? This artwork was created as an interruption to demonstrate the relevancy of actions, material and force of an exchange that superseded academic explanation for how materials are important to the artwork.

Materialist Encounter II, was a live event performed in the theatre of The Royal Central School of Speech and Drama on September 28th, 2016. For this event, and as part of my Boxing Series, I wrestled a box in the closed black box theatre in front of spectators.

Materialist Encounter II,

(A public making) Collisions Festival, The Royal Central School of Speech and Drama, Black Box Theatre, London, 2016.

Mixed media; cardboard, sheet latex, live projection via Periscope app, heat-sensitive fabric, surround sound, and one balloon pump. This is the archive film of this public, experimental making 13:00.

Materialist Encounter I, Boxing Series, Performative Talk, High Holburn, London College of Fashion, UAL. 2016

Cardboard, latex, film, lecture studio. This artwork is a performative talk, expanding on the discourse of making through film, lecture, sculptural object, and site specific lecture theatre. This is only the film element of the performative talk, the process of making ME I.

Threshold , Site-specific installation

Milton Keynes Gallery, Milton Keynes, UK., 2017. Specialized plaster, filament.

140 cm x 80 cm x 1-2 cm. This artwork was a casting of the gallery floor before major gallery renovations.

Threshold is about considering the relation of the body to the precariousness of change; the phenomenal and metaphorical transformation when moving from one place to another. The site is intrinsic to our negotiation through the distance between things, the boundaries of the body, self and what is unknown, intermingling contemporaneously.

ME YOU ME, 2016, RAUM Gallery. Camberwell College of Art, London, UK.

This was a solo exhibition that was two metaphorical bodies choreographed in the space alongside a projection of the making process on site. This artwork is re-performed in different locations as interventions; the exhibition creates a platform for my research around sexual differences where I perform my body, in this instance, it actualizes my research in a public space, creating visibility of the research mediated by the film and the metaphorical box bodies. I question what the body might be and where the body might be in public exhibitions.

Film, 5:47 A documentation of a thinking making process that runs on a loop in the gallery.

I like to blow my own horn, 2014 Performance work performed at Chelsea College of Art, University of the Arts London, Mind the Gap, graduate show 2014. Feathers, latex, artist. This artwork is inflated by the artist and then deflates as the artist greets and discusses the exhibition with guests.